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hear it in lots of (usually sad) movies, and I'd say
it's probably one of the truest things ever spoken:
"There's nothing more tragic than having to bury
your own child." But, just for the sake of argument,
let's pretend -- for just a second -- that (in one
specific case) it wouldn't be the end of the world.
As a matter of fact, let's further pretend that the
death of a child could somehow lead to several wonderful
and life-changing results.
Sick, I know, but that's one of the ideas that runs
through the twisted-yet-amusing dark comedy World's
Greatest Dad. Written and directed by the consistently
unpredictable Bob Goldthwait (he also gave us the
similarly strange Shakes the Clown and Stay), and
anchored by an unexpectedly strong Robin Williams
performance, World's Greatest Dad is indeed about
a high school poetry teacher who finds his life blossoming
after his son accidentally commits suicide.
It's important to note that 16-year-old Kyle is one
of the most stunningly unpleasant (and hilariously
profane) teenagers ever conceived, because this is
how we're able to laugh (if a bit uncomfortably) as
the story of his posthumous popularity sets in. Nobody
likes Kyle, you see, but it's only after his death
(which is caused by an errant bout of autoerotic asphyxiation)
that the kid becomes some sort of cult hero and patron
saint. (At its most satirical moments, World's Greatest
Dad feels a little like Heathers, which is obviously
meant as a compliment.) But why would a kid who died
while masturbating be worthy of post-death respect?
Well, it's because his well-meaning papa decided to
hang his son's body in a closet -- suicide is just
a little less embarrassing than the truth, you see
-- and then he pens his son's suicide note. Sort of
noble and disgusting at the same time...
But things get a lot more frantic once Kyle's suicide
note becomes a campus sensation. Lance is a failed
novelist, and he simply cannot believe that this --
a fake suicide note -- is the first time people have
appreciated his writing skills. And Lance's newfound
popularity is sweetened by the affections of his girlfriend
... and then things get really twisted. What began
as a noble gesture for his dead son has transformed
into an unstoppable freight train of deception. Meanwhile,
all of the students who used to hate Kyle are finding
new ways to deify the deceased dork ... all because
of a suicide letter that his Dad slapped together
to avoid a giant humiliation.
So, yeah, clearly this movie is not for all tastes.
You'll have to have a strong respect for gallows humor
and uncomfortable silences to get much of what World's
Greatest Dad is doling out, but for those who don't
mind a strong mixture of "dark yet broad"
comedy, I'm betting you'll appreciate what's being
offered here. If a few of the jokes are telegraphed
and a handful of the scenes run on a bit long, those
are small gripes in the face of a truly strange comedy
that, yep, actually has a message hidden beneath its
colorfully tacky exterior.
But just like you should warn a group before you
tell them a really "blue" joke, I think
it's important to warn notify potential viewers that,
yes, World's Greatest Dad is a very dirty joke of
a movie. As a director, Goldthwait (whom you probably
remember as a clever comedian trapped in a screechy
exterior) continues to mine the middle ground between
the absurd and the stupidly mundane, and while it
takes an open mind to appreciate the odd 'n' twisted
messages that Dad has to offer, I think it's refreshing
to find a slick, smart comedy that's not afraid to
trade in a little "sick" humor.
Ah, and a special dose of bemused praise is due to
the young Daryl Sabara, whom you'll no doubt remember
from the Spy Kids flicks. Let's just say his performance
here is so over-the-top hilariously obnoxious that
I wanted to climb into the screen and punch the kid
in the mouth. I do believe that this is what Goldthwait
was going for, and so this should be taken as a compliment.
Having said that, I hope Sabara plays a nice guy the
next time out. This character was just so ... icky
By Scott Weinberg
Cinematical,
January 22, 2009
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