


Screenplay by
Tom Schulman
Music Composed by
Maurice Jarre
World Premiere
June 2, 1989 (Los Angeles, San Francisco, New York City and Toronto)
Theatrical Release Date
June 2, 1989
(limited)
June 9, 1989 (wide)
DVD Release Date
November 10, 1998 (original release)
January 10, 2006 (special edition)
Production Companies
Silver Screen Partners IV, Touchstone Pictures
Distribution Company
Buena Vista Pictures

When charismatic English teacher John Keating arrives at a strict boys' academy, his unconventional teaching methods breathe new life into the curriculum steeped in tradition. With his wit and wisdom, Keating inspires his students to pursue individual passions and make their lives extaordinary.


John Keating
Why do I stand up here?
Dalton
To feel taller.
John Keating
No. Ding! Thank you for playing. I stand upon my desk to remind myself that we must constantly look
at things in a different way. See, the world looks very different from up here. You don't believe me? Come see for
yourselves. Come on. Just when you think you know something, you have to look at it in another way. Even though it may
seem silly, or wrong, you must try. Now, when you read, don't just consider what the author thinks. Consider what you
think. Boys, you must strive to find your own voice. Because the longer you wait to begin, the less likely you are to
find it at all. Thoreau said: "Most men lead lives of quiet desperation." Don't be resigned by that. Break out. Now
don't just walk off the edge like lemmings! Look around you! Dare to strike out and find new ground. Now, in addition
to your essays, I would like you to compose a poem of your own, an original work.
Class
Ooh!
John Keating
Oef! La-ha-ha-ha-hum! That's right. You have to deliver it aloud, in front of the class on Monday.
Ooh! Bon chance, gentlemen. Mr. Anderson! Don't think that I don't know that this assignment scares the hell out of you,
you mole.
John Keating
We don't read and write poetry because it's cute. We read and write poetry because we are members of
the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble
pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from
Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled
with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the
powerful play goes on and you may contribute a verse. That the powerful play goes on and you may contribute a verse.
What will your verse be?
John Keating
A man is not 'very tired'. He's 'exhausted'. And don't use 'very sad', use--Come on, Mr. Overstreet, you
twerp.
Todd
Morose?
John Keating
Exactly! Morose! Now, language was developed for one endeavor, and that is--Mr. Anderson. Come on, are you
a man or an amoeba? Mr. Perry?
Neil
Uh... to communicate?
John Keating
No! To woo women. Today we're going to be talking about William Shakespeare. Oh, God. I know, a lot of you
look forward to this about as much as you look forward to root canal work. We're gonna talk about Shakespeare as someone who
writes something very interesting. Now, many of you have seen Shakespeare done very much like this: "O, Titus, bring your
friend hither." But many of you have seen Marlon Brando... you know that Shakespeare can be different. "Friends, Romans, countrymen,
lend me your ears." You can also imagine maybe John Wayne as Macbeth going, "Waaall, is this a dagger I see before me?"
John Keating
Dogs, sir? Oh, not just now. I do enjoy a good dog once in a while, sir. You can have yourself a three-course
meal from one dog. Start with a canine croquette. Go to your Fido flambe for main course. And for desert a Pekingese parfait.
And you can pick your teeth with the little paw.

Robin Williams
John Keating
Robert Sean Leonard
Neil Perry
Ethan Hawke
Todd Anderson
Josh Charles
Knox Overstreet
Gale Hansen
Charlie Dalton/Nuwanda
Dylan Kussman
Richard Cameron
Allelon Ruggiero
Steven Meeks
Norman Lloyd
Mr. Nolan

He was their inspiration. He made their lives extraordinary.

Dates
November 14, 1988 - January 15, 1989
Locations
Middletown, DE
Rockland, DE
New Castle, DE
Wolf Cave, DE
Shooting in and around Middletown took place at St. Andrew's School and the Everett Theatre.
Shooting in and around New Castle took place in the Westover Hills neighborhood.

Canada
June 2, 1989 (Toronto)
Australia
July 20, 1989
UK
September 22, 1989
Spain
November 22, 1989
Sweden
January 12, 1990
France
January 17, 1990
Denmark
Netherlands
January 19, 1990
West Germany
January 25, 1990
Austria
Finland
January 26, 1990
Japan
March 24, 1990
Turkey
April 1990
South Korea
May 19, 1990
Argentina
August 30, 1990

Argentina / Mexico
La sociedad de los poetas muertos
Turkey
Ölü ozanlar dernegi
Sweden
Döda poeters sällskap
Denmark
Døde poeters klub
Spain
El club de los poetas muertos
Hungary
Holt költök társasága
Japan
Ima wo ikiru
Finland
Kuolleiden runoilijoiden seura
Italy
L'attimo fuggente
Canada
La société des poètes disparus (French title)
France
Le cercle des poètes disparus
Portugal
O Clube dos Poetas Mortos
Greece
O kyklos ton hamenon poiiton
Brazil
Sociedade dos Poetas Mortos
Poland
Stowarzyszenie umarlych poetów

This title is available on:

The following extra features can be found on the Special Edition DVD:
Raw Takes
Audio Commentary by Peter Weir, John Seale, and Tom Schulman
Alan Splet Tribute
John Seale's Masters Class
International Theatrical Trailer
Scrapbook
RWF Note: There's an extended laserdisc version of this movie available with 10 minutes of extra footage that is not included on the DVD.

Dead Poets Society screened at the Venice Film Festival and Tokyo International Film Festival in 1989.

Budget
$16,400,000
Gross
$95,860,116 (USA)
$140,000,000 (international)
$235,860,116 (total)
Opening Weekend
Limited:
$340,456 (8 theaters)
Wide: $7,540,464 (687 theaters)
Widest Release
1,109 theaters

Academy Awards
Nom - 1990 - Best actor in a leading role (Robin)
Nom - 1990 - Best Director (Peter Weir)
Nom - 1990 - Best Picture
Won - 1990 - Best Screenplay
Golden Globes
Nom - 1990 - Best Actor (Robin)
Nom - 1990 - Best Film
Nom - 1990 - Best Director (Peter Weir)
Nom - 1990 - Best Screenplay
British Academy Awards
Nom - 1990 - Best Actor (Robin)
Won - 1990 - Best Film
Nom - 1990 - Best Director (Peter Weir)
Nom - 1990 - Original Screenplay
Nom - 1990 - Original Film Score
Nom - 1990 - Editing Award
French Academy of Cinema
Won - 1991 - Best Foreign Film